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		| Paper: | Padua and the Stars: Medieval Painting and Illuminated Manuscripts |  
		| Volume: | 441, The Inspiration of Astronomical Phenomena VI |  
		| Page: | 111 |  
		| Authors: | Canova, G. M. |  
		| Abstract: | In the Middle Ages, the University of Padua was one of the most
 prominent centre for astrological studies in Europe. The Paduan doctor
 and philosopher, Pietro d'Abano, who lived in the first decades of the
 14th century, was the main figure in this field. At the end
 of the 13th century, during a long stay in Paris, he got in
 contact with the new astrological doctrines flourished after the
 translation into Latin of Ptolemy's and Arab's works in Spain. Thus,
 when he went back to Padua, he published several studies on the
 influence of celestial bodies on human life and human physical
 characteristics and psychology. These ideas deeply affected the Paduan
 society of the 14th century and, consequently, the most
 important painters chose or were asked to evoke the images of stars,
 planets, and their properties. This adventure began with Giotto who
 shows a surprising interest in celestial bodies in the Scrovegni
 Chapel where he represented a comet, and soon after he produced a
 cycle of astrological paintings on the vault of the Palazzo della Ragione
 in the Public Palace of Padua. Unfortunately, in 1420, these
 paintings were destroyed in a fire, but the magnificent cycle of
 astrological frescoes realized soon after on the walls of the same
 room gives us some clues on Giotto's work and shows us the complexity
 of the Medieval astrological science. Other astrological paintings,
 still preserved, were realized by the painters of the Carrarese Court
 such as Guariento, who painted the planets and their influences on
 human ages in the church of the Eremitani, and Giusto dei Menabuoi who
 represented a superb zodiac around a realistic map of Earth in the
 Cathedral Baptistery. So Padua really became the capital of
 astrological painting in Europe. Other evidence of the astrological
 image in the Veneto Region, between the 14th and 15th centuries, can be found in the manuscripts illuminated in the
 milieu of the University of Padua and in the first books printed in
 Venice. |  
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